In the arena of film, "time and space" can be manipulated and appear for a long time or shorter when compared with it might be in the real world. Directors can manipulate your camera, in an attempt to make audience believe something is real, when it's not. Also, they're able to produce a decade appear like only one day. This is the expertise of the shoot.
Here's a significant tip to find out for those who have to shoot the first short movie.
Each time a man walks from his house into a neighbor's house, he walks in a straight line in reality. In a film, they can be shot from various angles.
In fact, an advanced bystander taking a look at a male walking from his house towards the neighbor's house from left to right so you cross the road, you will now see him going from directly to left.
Within a movie, a person going from his house to his neighbor's house will likely be filmed as going from left to right.
In the next shot, the person is viewed going from directly to left, it will seem that he's returning to his house instead of continuing to his neighbour's house. It is because the screen is two-dimensional so the viewer cannot literally "cross the street" and appear from your other part without getting disoriented.
This is where the rule of "not crossing the line" will come in.
To make movies, you will need to shoot from only one side in the line, to keep up directional continuity
When shooting movies, you should aim to shoot from various angles,and adjust them...
In the event you saw the film Inception, directed by Christopher Nolan (director with the Batman movies) up to have an Oscar this year, you'll have noticed how this movie was shot from the 3 different perspectives, not simply angles, though the camera was always making the viewer feel he was looking from the different angle...
The Matrix is another fine instance of this 'directional continuity', too...
When shooting movies, you need to contemplate, what sort of be the ideal shot within the frame. Working this out using story boards a very good idea, that you can envisage where precisely the best angle can be to shoot the actors when on location.